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| Bonsignori’s early career is the most fully documented period of his life. Account of his early life is found in [[Giorgio Vasari]]’s book ''Lives of the Painters, Sculptors and Architects''.<ref name=":2">{{Cite book|title=Lives of the Most Excellent Painters, Sculptors and Architects (Le Vite de' più eccellenti pittori, scultori, e architettori)|last=Vasari|first=Giorgio|publisher=Lawrence Torrentinus|year=1550|location=Verona}}</ref> Vasari includes the painter in a group of minor virtuosi from Verona.<ref name=":2" /> Bonsignori bears another name, "Monsignori", as he was miscalled by Vasari in his book.<ref>{{Cite book|title=Vite|last=Vasari|first=Giorgio|year=1878|location=Verona|pages=299–307}}</ref> His pseudonym has appeared in several documentations from the [[Renaissance]] period, while he signed all his committed artwork with “Bonsignori”. Fewer than a dozen drawings attributed to Bonsginori during his early career have survived. Most paintings mentioned in Vasari's account have perished. | Bonsignori’s early career is the most fully documented period of his life. Account of his early life is found in [[Giorgio Vasari]]’s book ''Lives of the Painters, Sculptors and Architects''.<ref name=":2">{{Cite book|title=Lives of the Most Excellent Painters, Sculptors and Architects (Le Vite de' più eccellenti pittori, scultori, e architettori)|last=Vasari|first=Giorgio|publisher=Lawrence Torrentinus|year=1550|location=Verona}}</ref> Vasari includes the painter in a group of minor virtuosi from Verona.<ref name=":2" /> Bonsignori bears another name, "Monsignori", as he was miscalled by Vasari in his book.<ref>{{Cite book|title=Vite|last=Vasari|first=Giorgio|year=1878|location=Verona|pages=299–307}}</ref> His pseudonym has appeared in several documentations from the [[Renaissance]] period, while he signed all his committed artwork with “Bonsignori”. Fewer than a dozen drawings attributed to Bonsginori during his early career have survived. Most paintings mentioned in Vasari's account have perished. |
| He often integrated subtle elements observed in nature and daily life into religious paintings. In 1483, he produced his first signed work, [[Madonna (art)|''Virgin and Child'']]'' (Castelvecchio,Verona)''. The style of this work is similar to that of ''Madonna with Saints'' ''(Gemäldegalerie, Berlin)'', produced by his teacher Liberale de Verona.<ref name=":4">{{Cite book|title=Italian pictures of the Renaissance: A list of the principle artists and their works with an index of places.|last=Bernard|first=Bereson|publisher=Phaidon Publication|year=1968|location=London, UK|pages=85–90}}</ref> Influenced by his teacher, Bonsignori produced several altarpieces from 1484 to 1492. He completed ''the Virgin and Child Enthroned with Saints (Castelvecchio,Verona)'' in 1484. | He often integrated subtle elements observed in nature and daily life into religious paintings. In 1483, he produced his first signed work, [[Madonna (art)|''Virgin and Child'']] ''(Castelvecchio, Verona)''. The style of this work is similar to that of ''Madonna with Saints'' ''(Gemäldegalerie, Berlin)'', produced by his teacher Liberale de Verona.<ref name=":4">{{Cite book|title=Italian pictures of the Renaissance: A list of the principle artists and their works with an index of places.|last=Bernard|first=Bereson|publisher=Phaidon Publication|year=1968|location=London, UK|pages=85–90}}</ref> Influenced by his teacher, Bonsignori produced several altarpieces from 1484 to 1492. He completed ''the Virgin and Child Enthroned with Saints (Castelvecchio, Verona)'' in 1484. |
| During Bonsignori's early career, he was inspired and influenced by different artists, including his early models [[Giovanni Bellini]], [[Alvise Vivarini|Alvise Vivari]], [[Antonello da Messina]], and [[Andrea Mantegna]].<ref name=":5">{{Cite book|title=The Antonio ll Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy|last=Karet|first=Evelyn|publisher=Routledge|year=2017|location=London, UK|pages=263–265}}</ref> Integration of styles from different contemporary masters is notable in Bonsignori's early pieces, which were characterized by his concentration on human figures in devotional picture and portraits. Landscape and architectural settings in the background are often less significant in his paintings. Although derivative, Bonsignori's early style was recognizably his own.<ref name="Lehmann-B">Lehmann-Brockhaus, U. (2003). "Bonsignori [Monsignori], Francesco". ''Grove Art Online''.</ref> | During Bonsignori's early career, he was inspired and influenced by different artists, including his early models [[Giovanni Bellini]], [[Alvise Vivarini|Alvise Vivari]], [[Antonello da Messina]], and [[Andrea Mantegna]].<ref name=":5">{{Cite book|title=The Antonio ll Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy|last=Karet|first=Evelyn|publisher=Routledge|year=2017|location=London, UK|pages=263–265}}</ref> Integration of styles from different contemporary masters is notable in Bonsignori's early pieces, which were characterized by his concentration on human figures in devotional picture and portraits. Landscape and architectural settings in the background are often less significant in his paintings. Although derivative, Bonsignori's early style was recognizably his own.<ref name="Lehmann-B">Lehmann-Brockhaus, U. (2003). "Bonsignori [Monsignori], Francesco". ''Grove Art Online''.</ref> |
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