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[[File sychedelic trance culture of Kazantip (2006-08-134) (329954412).jpg|thumb|right|Psychedelic trance culture of [[KaZantip]] in 2006, with decorations commonplace at trance parties]] | [[Filesychedelic trance culture of Kazantip (2006-08-134) (329954412).jpg|thumb|right|Psychedelic trance culture of [[KaZantip]] in 2006, with decorations commonplace at trance parties]] |
| [[The KLF]]'s "[[What Time is Love?]] (Pure Trance)" was released in the UK in 1988. The earliest years of Trance were defined by Frankfurt labels such as [[Eye Q (record label)|Eye Q]], [[Harthouse]], [[FAX +49-69/450464|Fax +49-69/450464]], Force Inc., and others. Producers such as [[Pete Namlook]], [[Oliver Lieb]], and [[Rolf Ellmer]] created noteworthy tracks such as "Eternal Spirit" by 4Voice, "Hearts" by [[L.S.G.]], and "We Came In Peace" by [[Dance 2 Trance]].<ref name="Beatport's Definitive History of Trance">{{cite web |date=30 November 2021 |title=Beatport's Definitive History of Trance |url=https://www.beatportal.com/features/trance-history-beatport/ |access-date=6 June 2023 |website=Beatportal }}</ref><ref name="Story of Trance undergroundtrance 22">{{Cite web |title=The Story of Trance - In-Depth Review of the History of Trance |url=https://undergroundtrance.com/trance-history/ |access-date=2023-06-06 |website=Underground Trance |language=en-US}}</ref> | [[The KLF]]'s "[[What Time is Love?]] (Pure Trance)" was released in the UK in 1988. The earliest years of Trance were defined by Frankfurt labels such as [[Eye Q (record label)|Eye Q]], [[Harthouse]], [[FAX +49-69/450464|Fax +49-69/450464]], Force Inc., and others. Producers such as [[Pete Namlook]], [[Oliver Lieb]], and [[Rolf Ellmer]] created noteworthy tracks such as "Eternal Spirit" by 4Voice, "Hearts" by [[L.S.G.]], and "We Came In Peace" by [[Dance 2 Trance]].<ref name="Beatport's Definitive History of Trance">{{cite web |date=30 November 2021 |title=Beatport's Definitive History of Trance |url=https://www.beatportal.com/features/trance-history-beatport/ |access-date=6 June 2023 |website=Beatportal }}</ref><ref name="Story of Trance undergroundtrance 2">{{Cite web |title=The Story of Trance - In-Depth Review of the History of Trance |url=https://undergroundtrance.com/trance-history/ |access-date=2023-06-06 |website=Underground Trance |language=en-US}}</ref> |
| Much of the development of trance can be traced to Sven Vath, who was heavily influenced by his experiences traveling to Goa where DJs were using psychedelic rock and other sounds to induce a trance state at beach parties.<ref>{{cite web |last=Kaushik |first=Rohit |date=9 January 2020 |title=Sven Väth Shares His Thoughts On The Indian Electronic Music Scene & More |url=https://edmli.com/2020/01/09/sven-vath-shares-his-thoughts-on-indian-electronic-music-scene-more/ |access-date=6 June 2023 |website=EDMLI }}</ref> [[Sven Väth|Vath]], Dag Lerner, and [[Torsten Fenslau]] had an affection for hypnotic dance sounds and the music at [[Dorian Gray (club)|Dorian Gray]] and Omen began to reflect this.<ref name="Story of Trance undergroundtrance">{{cite web |title=The Story of Trance - In-Depth Review of the History of Trance |url=https://undergroundtrance.com/trance-history/ |access-date=7 June 2023 |website=Underground Trance }}</ref> | Much of the development of trance can be traced to Sven Vath, who was heavily influenced by his experiences traveling to Goa where DJs were using psychedelic rock and other sounds to induce a trance state at beach parties.<ref>{{cite web |last=Kaushik |first=Rohit |date=9 January 2020 |title=Sven Väth Shares His Thoughts On The Indian Electronic Music Scene & More |url=https://edmli.com/2020/01/09/sven-vath-shares-his-thoughts-on-indian-electronic-music-scene-more/ |access-date=6 June 2023 |website=EDMLI }}</ref> [[Sven Väth|Vath]], Dag Lerner, and [[Torsten Fenslau]] had an affection for hypnotic dance sounds and the music at [[Dorian Gray (club)|Dorian Gray]] and Omen began to reflect this.<ref name="Story of Trance undergroundtrance 2"/> |
| Vath launched Eye Q with Heinz Roth and Matthias Hoffman in 1991, followed by Harthouse in 1992, releasing some of the most well-known trance tracks of the era. Eye Q took a softer approach to trance with records such as [[Cygnus X (music group)|Cygnus X]]'s "The Orange Theme," Brainchild's "Symmetry" and Vernon's "Wonderer." Harthouse focused on a harder trance sound with tracks such as Quicksand by [[Oliver Lieb|Spicelab]], Spectrum by Metal Master, Human by Resistance D, and Acperience by [[Hardfloor]].<ref name="Beatport's Definitive History of Trance"/><ref name="Story of Trance undergroundtrance 2"/> The sound of Frankfurt was the sound of trance. DJ Dag Lerner, one half of Dance to Trance has stated that he was the first to call his music trance and "gave the child his name."<ref>{{Cite web |title=About |url=http://www.djdag.com/about.html |access-date=7 June 2023 |website=DJ DAG }}</ref> The genre "*****" its name from the trance-like state the music attempted to emulate in the 1990s before the genre's focus changed.<ref>{{Cite journal |last=PhD |first=Kathryn A. Becker-Blease |date=13 July 2004 |title=Dissociative States Through New Age and Electronic Trance Music |journal=Journal of Trauma & Dissociation |volume=5 |issue=2 |pages=89–100 |doi=10.1300/J229v05n02_05 |issn=1529-9732 |s2cid=143859546}}</ref> | Vath launched Eye Q with Heinz Roth and Matthias Hoffman in 1991, followed by Harthouse in 1992, releasing some of the most well-known trance tracks of the era. Eye Q took a softer approach to trance with records such as [[Cygnus X (music group)|Cygnus X]]'s "The Orange Theme," Brainchild's "Symmetry" and Vernon's "Wonderer." Harthouse focused on a harder trance sound with tracks such as Quicksand by [[Oliver Lieb|Spicelab]], Spectrum by Metal Master, Human by Resistance D, and Acperience by [[Hardfloor]].<ref name="Beatport's Definitive History of Trance"/><ref name="Story of Trance undergroundtrance 2"/> The sound of Frankfurt was the sound of trance. DJ Dag Lerner, one half of Dance to Trance has stated that he was the first to call his music trance and "gave the child his name."<ref>{{Cite web |title=About |url=http://www.djdag.com/about.html |access-date=7 June 2023 |website=DJ DAG }}</ref> The genre "*****" its name from the trance-like state the music attempted to emulate in the 1990s before the genre's focus changed.<ref>{{Cite journal |last=PhD |first=Kathryn A. Becker-Blease |date=13 July 2004 |title=Dissociative States Through New Age and Electronic Trance Music |journal=Journal of Trauma & Dissociation |volume=5 |issue=2 |pages=89–100 |doi=10.1300/J229v05n02_05 |issn=1529-9732 |s2cid=143859546}}</ref> |
Okumaya devam et...