The Glasgow Boys: spelling correction
Okumaya devam et...
← Previous revision | Revision as of 16:16, 6 May 2024 |
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| ==The Glasgow Boys== | ==The Glasgow Boys== |
| Through the 1880s and 1890s, around the same time that the Spook School was gaining prominence, a collective which came to be known as the [[Glasgow Boys]] was interpreting and expanding the [[wiktionary:canon|canon]] of [[Impressionism|Impressionist]] and [[Post-impressionism|post-impressionist]] painting. Their subject matter featured [[rural]], prosaic scenes from in and around Glasgow. Their colorful depictions attempted to capture the many facets of the character of [[Scotland]]. | Through the 1880s and 1890s, around the same time that the Spook School was gaining prominence, a collective which came to be known as the [[Glasgow Boys]] was interpreting and expanding the [[wiktionary:canon|canon]] of [[Impressionism|Impressionist]] and [[Post-impressionism|post-impressionist]] painting. Their subject matter featured [[rural]], prosaic scenes from in and around Glasgow. Their colourful depictions attempted to capture the many facets of the character of [[Scotland]]. |
| The Glasgow Boys consisted of several men, most of whom were trained in, or had strong ties to the city of Glasgow. These men were brought together by a passion for realism and naturalism and this showed through in the pieces they produced. Along with this passion for naturalism, they shared a marked distaste for the Edinburgh oriented Scottish art establishment, which they viewed as oppressive. Driven and motivated by these ideals they embraced change, created masterpieces, and became Scottish icons in the process. | The Glasgow Boys consisted of several men, most of whom were trained in, or had strong ties to the city of Glasgow. These men were brought together by a passion for realism and naturalism and this showed through in the pieces they produced. Along with this passion for naturalism, they shared a marked distaste for the Edinburgh oriented Scottish art establishment, which they viewed as oppressive. Driven and motivated by these ideals they embraced change, created masterpieces, and became Scottish icons in the process. |
Okumaya devam et...