Apostrophe in image caption.
Okumaya devam et...
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| The son of a North American miner and a Jamaican mother, Luis Antonio Peirce Byres was born in Manzanillo, Cuba. In 1956 he founded the Havana photography studio Korda Studios with [[Alberto Díaz Gutiérrez]]. The name of the company came from the famous Hungarian-British film directors Alexander and [[Zoltan Korda]], and both photographers came to be known by the name: Luis was known as Korda the Elder (Luis Korda) and Alberto as Korda the Younger ([[Alberto Korda]]). The range of work by the company spanned fashion and traditional advertising shoots, as well as shoots for recording labels, insurance, pharmaceuticals, promotional work for [[Bacardi]] and Hatuey, car dealerships etc. Photo journalism was also part of the studio’s output, reporting, for example, on the most famous Cuban motor racing event, the Carrera from Oinar del Rio via Saua la Grande to Havanna. By October 1956 the two photographers had relocated their studio to apartment 2, on the first floor of a building just opposite the emerging Hotel Capri on Calle 21 (No. 15, entre {{nowrap|N y O)}} in Vedado and a few weeks later they changed the name of the company to ''Studios Korda''. | The son of a North American miner and a Jamaican mother, Luis Antonio Peirce Byres was born in Manzanillo, Cuba. In 1956 he founded the Havana photography studio Korda Studios with [[Alberto Díaz Gutiérrez]]. The name of the company came from the famous Hungarian-British film directors Alexander and [[Zoltan Korda]], and both photographers came to be known by the name: Luis was known as Korda the Elder (Luis Korda) and Alberto as Korda the Younger ([[Alberto Korda]]). The range of work by the company spanned fashion and traditional advertising shoots, as well as shoots for recording labels, insurance, pharmaceuticals, promotional work for [[Bacardi]] and Hatuey, car dealerships etc. Photo journalism was also part of the studio’s output, reporting, for example, on the most famous Cuban motor racing event, the Carrera from Oinar del Rio via Saua la Grande to Havanna. By October 1956 the two photographers had relocated their studio to apartment 2, on the first floor of a building just opposite the emerging Hotel Capri on Calle 21 (No. 15, entre {{nowrap|N y O)}} in Vedado and a few weeks later they changed the name of the company to ''Studios Korda''. |
| [[File:Luis Korda 02.jpg|thumb|Luis Korda´s most important image: [[Fidel Castro]] and [[Camilo Cienfuegos]] in Havana, January 8, 1959]] | [[File:Luis Korda 02.jpg|thumb|Luis Korda's most important image: [[Fidel Castro]] and [[Camilo Cienfuegos]] in Havana, January 8, 1959]] |
| The members of the ''Korda Studios'' community distinguished themselves through the variety of the commissions and reporting taken on by the individual artists, a fact demonstrated by the neutral but ever-changing studio stamp which appears on the back of each of the prints. Luis was a distinguished photographer, and above all was very technically gifted. However, he was not a gifted businessman, and thus he showed no particular drive to gain commissions. It can be assumed that the majority of the output of the studio came from his partner, Alberto. Alberto Díaz acted primarily as photographer and travel companion of [[Fidel Castro]], with whom he had a close relationship, and also [[Ernesto Guevara]], whom he saw as rather arrogant – a personal view he shared with many other photographers. | The members of the ''Korda Studios'' community distinguished themselves through the variety of the commissions and reporting taken on by the individual artists, a fact demonstrated by the neutral but ever-changing studio stamp which appears on the back of each of the prints. Luis was a distinguished photographer, and above all was very technically gifted. However, he was not a gifted businessman, and thus he showed no particular drive to gain commissions. It can be assumed that the majority of the output of the studio came from his partner, Alberto. Alberto Díaz acted primarily as photographer and travel companion of [[Fidel Castro]], with whom he had a close relationship, and also [[Ernesto Guevara]], whom he saw as rather arrogant – a personal view he shared with many other photographers. |
Okumaya devam et...